Constructing an Identity in a Post-Streaming World

An editorial publication exploring how visual identity in the music industry has evolved in the shift to streaming platforms. The project translates dissertation research into a structured design system, using layout, typography, and pacing to communicate a chronological narrative. Content is organised as a visual timeline, tracing identity design from Sex Pistols in 1977 through to contemporary and emerging approaches. The publication uses the material itself to inform the design, creating a balance between critical writing and visual analysis while maintaining clarity across complex information. Editorial Design, Design Research, Artworking